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DF Lewis
Wednesday, 28 March 2007
Dark Films And Flapdowns

Chip had made a mental note of the car’s registration number, which was not too difficult, seeing that he possessed a photographic memory. He had seen it mow down a zebra-crossing full of schoolkids and imagined the carnage, if it had actually hit. Later, as the cinema reduced in noise, the credits of the main feature slowly scrolled. Chip was cramped behind a tall misshapen head which bobbed about to gain a clear view between further obstructions further beyond. Even the long-beamed torch that sporadically dodged its path of light towards the emptier seats at the front failed to pry into the nature of various obstructions. Chip wondered why the flapdown seats were not more tiered than they were. He returned his attention to his steady who was beginning to wipe off her lipstick. He was not self-conscious about snogging, since they had their backs to the usherette’s partition, so no patrons could complain of Chip and his steady coming together in front of the screen. People were arriving all the time, others leaving. Many had already departed amid the throes of this B film - maybe the point in the film when they had first come in. Chip failed to understand how they were able to enjoy a film back to front, as it were. He yearned for the Single Performance days of an intangible future, beyond the Sixties, when everyday colour would be more common. But why should it matter? Especially when one wasn’t here for the films in the first place. Chip felt a hand upon his knee, sending a tingle to every extremity. Puckering his lips, he took one last longing look at the black-and-white screenful of images - noticing that the patrons immediately in front were now much lower in their seats, eyes in the backs of their heads, or so he thought in a moment of misplaced paranoia. Yet he could not be sure, since the main feature film was light-faded. He vaguely remembered (as far as a photographic memory <I>can</I> remember vaguely) a poster outside - and some framed stills of dark shots. Wondering why such things were put outside (for they could only serve to deter), he shut his own eyes and waited for the hand to travel from his knee, before he gave himself over to a heavy session of petting... A sudden screech and bloodcurdling squeals sounded from outside, during the quiet romantic moments of the film with the actors half-asleep. Chip quickly untangled himself from the tentacles of snogging and dashed, via the foyer, into the street. His eyeballs were seared by the as ever unexpected daylight. This was where he remembered having come in. But now in colour - and more than real. Hit and run.

(published 'Atsatrohn' 1993)


Posted by weirdtongue at 9:59 AM EDT
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Friday, 16 March 2007
An Infusion Of Dream

The parlour was crammed with party-frocked children, all eager to be let loose upon the games they thought in store for them. One boy (I think it must have been me) wondered if games could exist without children to play them. He imagined hide-and-seek with mere wisps of shadow darting in and out of the corners; musical chairs with a feast of empty seats; hunt the invisible thimble; sardines with only loneliness to come between; Nobody’s Knock...

Forgetting his thoughts, he surveyed the remains of food upon the excited faces, almost more to eat than they had in the first place. The dining-room had been a wondrous place that afternoon. With an early dusk outside, the candles had shone out a treat, casting golden tea-leaves of dream upon all the faces. The red jelly had wobbled deliciously. The cakes had dribbled fresh clotted cream even before they saw the tiny white teeth. Steaming samovars of infusions. Neatly manicured cucumber sandwiches. Drinks with more bubbles than liquid. The birthday cake decorated with a mysterious number none of the children could possibly count towards.

He had seen the girl for the first time around that table. Initially attracted by the pinafore frock, the face was very much second best. But the more he became accustomed to its frequently dimplish smile over the trifle, the more he fell in love with the rest of the girl he couldn’t see.

The parlour was lit by a log fire. The faces were keen to get the planning phase over and the campaign of games under way. He spotted the girl again … she was towards the back, the furthest from the fire that one could possibly be. She was no longer smiling but, even at his tender age, he knew that angels did not smile <I>all</I> of the time. There was at least one grown-up ranging about between the tangled limbs, so tall it was difficult to see the lines of the face. It was issuing instructions, however, which, for the boy’s part, were pretty pointless. He thought the best present he’d receive today was being the seeker and the pinafored girl the hider whom he’d find in some solitary part of the house. Apparently, though, he was not chosen to be seeker, despite the party being in his honour. Indeed, the sole grown-up was intent on the role of seeker.

Suddenly the children rose in uproar, the girl included, and scuttled off in all possible directions. Only the boy and the grown-up were left staring at each other across the shadows of the flames.

The deep mumbling had no meaning. But the boy understood only too well. He followed the tail-end of the children into the dark hallway outside the parlour. The landing at the top of the steep stairs looked forbidding … although, of course, he realised that nowhere was out of bounds today of all days. Even the servants’ quarters were eligible hiding-space, the occupants having been given the night off with a few halfpennies to spend at the Christmas fair. The night off? He wished he could have had the night off. He tore at his face as if trying to scrape the shadows of night from it.

The girl in the pinafore frock was disappearing up the very stairs he found so forbidding. Distantly, he followed the heels of her sandals … catching glimpses of thin calves in light seeped from some undarkened rooms elsewhere in the house.

Being polite, he knocked on the door. Even in hide-and-seek, one could not ignore the Privacy of the hidden one. She had slipped pursuit near the master bedroom, where the loft ladder had been left dangling by devil-may-care servants. She may now be adjusting the frock she wore. He’d not forgive himself if he disturbed her in such a private activity. She may be clambering into an empty tea-chest...

He’d forgotten, in his excitement, that he was not the seeker but a common hider, despite this being his birthday.

***

From within, the knock sounded as near to silence as a noise could be and still be called a noise.

“Come in,” she breathed.

Then from the communal chimney, she could still hear the gruff voice of the grown-up counting in the parlour till reaching the biggest number that existed those days. “Coming ready or not!” And the deep treads began far below in the hallway.

So, who was that already knocking at the bedroom door, she wondered? Probably nobody. Or, at least, nobody who had been born.

She slipped off the pinafore frock under the bed-covers, imagining that made her quite invisible.

 

(Published 'Trash City' 1998)


Posted by weirdtongue at 5:05 PM EDT
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Wednesday, 14 March 2007
A Different Face

Drawing-paper was the best paper for the vampire’s purpose, because, if he should change his mind at the last moment, or, even, midway, concerning the matter which he was about to set out upon it, he need not then be hidebound by straight lines intended for writing. His own intention, in fact - one which still prevailed - was to make known his last will and testament but, having no legal background, he was quite non-plussed by his ignorance of the correct format. So - without recourse to his conscious mind - he started doodling nervously, only for him later to be astonished at the series of crosses he had inadvertently made in preparation for his signature ... and, with some of these crosses depicting a spindly human figure upon them, he shuddered, knowing that vampires always possessed an inherent hatred (or vice versa) for such symbols, the Christian iconography being anathema to Undead ones such as he ... especially to Undead ones approaching their own special brand of death.

And he drew his signature across the bottom of the paper. Now for someone to witness it, he thought, if it were not already too late. And he drew a different face.


(Published 'The Vampire's Crypt' 1995)


Posted by weirdtongue at 6:16 PM EDT
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Sunday, 11 March 2007
The Blind

The sick-room blind, made of paper twilled and sun-stained with age, was daytime lowered for at least five of the last seven years, because the family house suffered so many deaths - most at the height of summer fevers. When it was Hubert’s dubious turn to sleep here, the blind’s roller became faulty and it developed a habit of springing up with an outlandish clatter. His mother repositioned it each day upon bringing his lightly boiled egg and thin bread soldiers - only for it to twizzle violently in the middle of the night like a lost demon flapping. Hubert thought, in his delirium, that the sick-room window must be the only eye in the world which possessed an eyelid in the inside of its eyeball. At the fever’s height, he believed it was night when it was noon. During a sense of remission, he stood at the open window, admiring the way the orchard garden had been landscaped since the onset of his illness. It was Spring, and today, the first time for some months, he could not feel the testing tentacles of death upon his soul. He turned to his nurse and said, “It’s strange how time flies.” She smiled sweetly, took Hubert’s hand within hers and became a beautiful angel - who glided through the window, tugging him as if he were a paper kite. But Hubert’s tatters could not fly because his mother had placed copper pennies on his eyes.


(Published 'Dreams & Nightmares' 1993)


Posted by weirdtongue at 4:23 PM EST
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Monday, 19 February 2007
Wormhole / Reflections
 WORMHOLE  

Quite good to be in the dark sometimes when the light hurts one so much, but when mixed with silence and sadness, one often yearns for blinding light - so much so, the squeezing of one’s eyes can create flashes and flickering maps of imaginary lands and unknown faces strobing across the wide screen of one’s soul and twirling splinters of quite a blacker black than the backdrop. Quite endless are the figments of thought, until someone (not you) throws the tripswitch: as one’s sad silence (physics) and silent sadness (psychology) merge in a screaming arc of dark where life meets death along quite a long sinuous core.

 

Published 'Handshake' 1999

 

 

 REFLECTIONS 

The vampire vampired vampires — there being no better verb to describe what vampires do. So, there is a definite need for such a verb as to vampire. The noun certainly exists, however, even if the thing which the noun names does not.

 

In any event, whatever the grammatical niceties, the vampire in question vampired other vampires. Better than a self-draining onanism. Better, even, than vampiring rosy-cheeked maidens (especially from the victim’s point of view, needless to say, whether or not there was any need to say it). But if vampires don’t exist prima facie why all this concern over one particular vampire whose fancy was to vampire others of his (or her) kind? Well, in short, and with no further preamble, I was (if not am) that vampire.

 

My teeth were long and so sharp they would have given off silly sparkling stars at their points if I were in a cartoon on TV. I could not reflect very well. (Well, anyone can see that for themselves, so no need to dwell on that point.) I had a strange inexplicable loathing of anything connected with the Christian Church. A regularly occurring aversion to daylight. A phobia of garden fence manufacturers. And, surprise surprise, a shake-down full of crumbly dirt. So, if I were not a vampire, nobody was.

 

And I went vampiring at night (the verb being intransitive as well as transitive). I met others of my persuasion. We sucked each other off. Really lapped it up. Then home in time for a good day’s kip. Often, the sun would be just rising as I turned the key in the door of my lock-up. And prickles would rise on the back of my neck. I knew I was being watched. One’s body always sensed such things. Ring-fenced. Criss­crossed. Each had its reflex reflection in my body and/or mind. I even knew when somebody was writing about me, circumscribing me. I had dreams, erotic dreams, wild wild dreams as well as more mundane ones, any such dreams as the writer cared to give Earth stowaways such as me. That’s how I knew. And I also know when he (or she) stops writing - I stop vampiring.

 

 Published 'Bats & Red Velvet' 1993

Posted by weirdtongue at 9:12 AM EST
Updated: Monday, 19 February 2007 9:19 AM EST
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Saturday, 17 February 2007
Lonely Hearts

Lonely Hearts

  

lt would have been a pleasure to meet you, given the chance.’ I said it again to myself - and then over and over to see

if it made any more sense the next time.

I was due to encounter her ... yes, quite accidentally the day after tomorrow. I already knew what her name was to be.

The sad problems remained, however. Forgetting you afterwards. Denying the pleasure.

  (published 'Dreams & Nightmares' 1995)

Posted by weirdtongue at 6:28 AM EST
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Thursday, 8 February 2007
Fruit of Darkness

The Queen's dogs, knitted from shadow, cowered in one of the vast doorways of the sprawling city.  They awaited visitors, special visitors, Rachel and I, because human visitors in love with each other are primer meat to suck than most.  They had arrived here from the mountains with the Queen who was trying to escape being part of other people's dreams.

            Rachel and I, having untangled ourselves from the various reincarnations of Creation, from the duplicitous destinies and from the parallel eternities—and having spent our mental energy negotiating the gridlocked highways, between the tower-blocks, we remained ignorant of the welcoming group.  The house was forbidding enough in its own right, so untypical of the rest of the city.  Chimneystacks, darker than the night sky, reached upwards too tall for the roofs.  And, as we staggered onward, between the snoring cardboard boxes, the chimney-pots seemed to play snooker with the full moonbright fruit of darkness.

            Rachel looked at me with fear, fear of everything, even of me, but especially of the house.  She had assumed our destination was the Steppes and, hence, the mercenary wars.  But I told her to forget it, since I was well acquainted with the house's occupant.  I knew more about the owner than I did of myself.  She grew relieved, grew more herself.  I smiled but began to know more than was good for both of us.

            The dogs lurking in the threshhold were huddled together for warmth, since the night-emptied streets of the mean city bore no trace of throbbing heat-outlets, as would have been common in most other cities.  Taking care not to tread too much on their tails, I leant over to raise what turned out to be a very heavy knocker from its percussive plinth.  The wailing was off-putting and I guessed that they must have once been pets, now discarded by the Queen for posher versions inside.  Rachel's smile returned as she bowed in pity to stroke their hopeful bristling backs.

            When Hell breaks loose in cities, it knows no half-measures. 

            As the spitting back-fire breath of a creature's fear seared Rachel's pretty face corner to corner, I dropped the knocker from such a height, it fell through the plinth, through the splintered planks of the door, through into the deep dark hall like a demolisher's ball.  The ground shook ... and I pushed Rachel further into the door's embrasure, to avoid the house's toppling chimneys, toppling on top of each other, with roofs and roofs of roofs still clinging—attic roofs, loft roofs, chimney roofs, TV aerial roofs, all tangled up with family refuse.  We saw the wooden rocking-horse which children once used as a plaything, the stained oil paintings in shattered frames, the wall-maps mapped by new dry-cracked rivers and the unshuttered panoply of dead generations.  They fell about us; the chimneys were founded so deep other items came out with them—people newly dead and hardly breathing, household pets, screeching, squealing, squawking, as further masonry crumpled their bodies beneath.  Rachel wondered if we could survive the onslaught.

            I pushed her into the hall through the collapsing door.  I realised it would have been safer in the long term to flee straight from the house—and from the city altogether, into the cold backwoods; although, in the short term, that would have made it more likely for us to be killed by skimming shards of roof-slate which hugged the sides of the house like shaving-blades.

            The door dogs came in with us: adopted us as their owners, nuzzling against our stockings with deep insistent purrs.  Their breath had been staunched, because I guessed that their gory innards had become stuck in their throats from sheer unadulterated fright.  The candlelights were doused by the new-riddled gusting draughts of the house.  The darkness, new limned from real night, did not allow me to inspect the trench in Rachel's face.  Family members who had once sat cheerfully around the roaring fires had been sucked up the chimney flues, some getting wedged halfway, others plummetting towards the engorged moon.  Or so I guessed.  Rachel did not even try to guess.  Her mind was numbed with the unfathomable scares of the experience.  Her unbroken faith in me and in my understanding gave me a good warm feeling inside.  

            But Rachel was, as I had suspected all along, the Queen herself, now firmly enthroned upon tiny mountains of rubble.  A new land.  A toy land.  An atlas land.

            We curled up on the carpet, as the house resettled around us.  The roofs were still relatively intact, from what we could see through the gaps in the various levels of ceiling above.  The moon was bobbing like a carnival face between the tower-blocks.  We entwined our cold limbs, only to feel the dogs who had welcomed us at the door crawling between our pink wickerwork, some slithering belly-up across our dog-mucked backs.  It was their way of blessing our union.  Our kisses were long-held affairs, complete breath changes.  Our tongues did meld even back beyond the past of which this was no future.

            So, yes, we entered each other, with corrugations of flesh oozing through our cage-bars of bone.  We yearned to enjoy a breed of love that mere separate beings could not even hope to enjoy.  An ever-sprawling love that only maps-without-margins could encompass.  Yet, even now, as the streets outside fill with the noise of day, I realise that our welded hearts were earlier freed by a craggy slice of roof ... only for the throbbing webs of membrane and pulp to be chomped by teeth that are not our own. 

            And thus the story ends, one with no beginning and no end, only the shard in between.

  

Posted by weirdtongue at 10:57 AM EST
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Fruit of Darkness
 

The Queen's dogs, knitted from shadow, cowered in one of the vast doorways of the sprawling city.  They awaited visitors, special visitors, Rachel and I, because human visitors in love with each other are primer meat to suck than most.  They had arrived here from the mountains with the Queen who was trying to escape being part of other people's dreams.

 

 

            Rachel and I, having untangled ourselves from the various reincarnations of Creation, from the duplicitous destinies and from the parallel eternities—and having spent our mental energy negotiating the gridlocked highways, between the tower-blocks, we remained ignorant of the welcoming group.  The house was forbidding enough in its own right, so untypical of the rest of the city.  Chimneystacks, darker than the night sky, reached upwards too tall for the roofs.  And, as we staggered onward, between the snoring cardboard boxes, the chimney-pots seemed to play snooker with the full moonbright fruit of darkness.

 

 

            Rachel looked at me with fear, fear of everything, even of me, but especially of the house.  She had assumed our destination was the Steppes and, hence, the mercenary wars.  But I told her to forget it, since I was well acquainted with the house's occupant.  I knew more about the owner than I did of myself.  She grew relieved, grew more herself.  I smiled but began to know more than was good for both of us.

 

 

            The dogs lurking in the threshhold were huddled together for warmth, since the night-emptied streets of the mean city bore no trace of throbbing heat-outlets, as would have been common in most other cities.  Taking care not to tread too much on their tails, I leant over to raise what turned out to be a very heavy knocker from its percussive plinth.  The wailing was off-putting and I guessed that they must have once been pets, now discarded by the Queen for posher versions inside.  Rachel's smile returned as she bowed in pity to stroke their hopeful bristling backs.

            When Hell breaks loose in cities, it knows no half-measures. 

 

 

            As the spitting back-fire breath of a creature's fear seared Rachel's pretty face corner to corner, I dropped the knocker from such a height, it fell through the plinth, through the splintered planks of the door, through into the deep dark hall like a demolisher's ball.  The ground shook ... and I pushed Rachel further into the door's embrasure, to avoid the house's toppling chimneys, toppling on top of each other, with roofs and roofs of roofs still clinging—attic roofs, loft roofs, chimney roofs, TV aerial roofs, all tangled up with family refuse.  We saw the wooden rocking-horse which children once used as a plaything, the stained oil paintings in shattered frames, the wall-maps mapped by new dry-cracked rivers and the unshuttered panoply of dead generations.  They fell about us; the chimneys were founded so deep other items came out with them—people newly dead and hardly breathing, household pets, screeching, squealing, squawking, as further masonry crumpled their bodies beneath.  Rachel wondered if we could survive the onslaught.

 

 

            I pushed her into the hall through the collapsing door.  I realised it would have been safer in the long term to flee straight from the house—and from the city altogether, into the cold backwoods; although, in the short term, that would have made it more likely for us to be killed by skimming shards of roof-slate which hugged the sides of the house like shaving-blades.

 

 

            The door dogs came in with us: adopted us as their owners, nuzzling against our stockings with deep insistent purrs.  Their breath had been staunched, because I guessed that their gory innards had become stuck in their throats from sheer unadulterated fright.  The candlelights were doused by the new-riddled gusting draughts of the house.  The darkness, new limned from real night, did not allow me to inspect the trench in Rachel's face.  Family members who had once sat cheerfully around the roaring fires had been sucked up the chimney flues, some getting wedged halfway, others plummetting towards the engorged moon.  Or so I guessed.  Rachel did not even try to guess.  Her mind was numbed with the unfathomable scares of the experience.  Her unbroken faith in me and in my understanding gave me a good warm feeling inside.  

 

 

            But Rachel was, as I had suspected all along, the Queen herself, now firmly enthroned upon tiny mountains of rubble.  A new land.  A toy land.  An atlas land.

 

 

            We curled up on the carpet, as the house resettled around us.  The roofs were still relatively intact, from what we could see through the gaps in the various levels of ceiling above.  The moon was bobbing like a carnival face between the tower-blocks.  We entwined our cold limbs, only to feel the dogs who had welcomed us at the door crawling between our pink wickerwork, some slithering belly-up across our dog-mucked backs.  It was their way of blessing our union.  Our kisses were long-held affairs, complete breath changes.  Our tongues did meld even back beyond the past of which this was no future.

 

 

            So, yes, we entered each other, with corrugations of flesh oozing through our cage-bars of bone.  We yearned to enjoy a breed of love that mere separate beings could not even hope to enjoy.  An ever-sprawling love that only maps-without-margins could encompass.  Yet, even now, as the streets outside fill with the noise of day, I realise that our welded hearts were earlier freed by a craggy slice of roof ... only for the throbbing webs of membrane and pulp to be chomped by teeth that are not our own. 

 

 

            And thus the story ends, one with no beginning and no end, only the shard in between.

  

Posted by weirdtongue at 10:54 AM EST
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Thursday, 18 January 2007
Baffle 41
Tall stories.  Long lives.

Posted by weirdtongue at 3:06 PM EST
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Tuesday, 19 December 2006
Fifty people...

Fifty people each holding one large word and, if they found the right order, the words would tell a significant story.  They shuffled places in an arc, until a consensus as to an optimum order.  A camera swivelled taking a panoramic photo of the story … but broke before the end.

 

(Published ‘Purple Patch’  2000)


Posted by weirdtongue at 4:47 PM EST
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