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DF Lewis
Tuesday, 17 August 2010
Nadine Dognahnyi

Nadine Dognahnyi

posted Thursday, 1 September 2005
The garden was full of strange, mysterious sounds, often bordering on silence, rarely on noise.

Nadine Dognahnyi sat in a deck-chair early one Autumn Sunday morning (early, for a Sunday), the sun shining low in the sky as if in league with the chill of the air. She was determined to lay claim to her ration of the sun before Winter set in and she pulled the fur of her coat collar tight round her scrawny neck.

The rustle of burnt leaves, as they fell through the branches of the nearby tree, was hardly more than the sporadic breeze that caused it. On either side of her (though not directly above) were the clothes she’d just hung on the line, moving flaccidly in the selfsame breeze. Their lives were lazy, those anorexic ghosts who inbabited the sleeves and leggings. Too early for them, also.

Nadine wondered why she’d plumped herself down in the unseasonable deck-chair at all. As the odd squawk of wintering birds mingled with the other more intangible sounds she’d first half-noticed, Nadine closed her eyelids, as if better to find her bearings.

The world inside her head was far more understandable, and it mattered not that the extraneous world of reality surrounding her infiltrated the daydreams like guest goldfish in the aquarium of her skull. Another bird (massive by the sound of it) squawked from somebody else’s roof. Unaccountably, it caused Nadine to think of her age and, in consequence, of her past. She’d been, what people call, flighty. A will o’ the wisp, with the emphasis on “will”. She’d married to suit herself, not others. How could she have helped falling in love with a foreigner? It was in fact his thick accent that had originally attracted her. She could not be expected to have dunked her then young and pretty head in a basinful of cold water to clear her mind. Love is not like that. She didn’t care that “friends” at the Ladies Group would snub her for the natural leanings of her emotions. If it weren’t one thing, it would have been another. The way the other members of the Group walked, noses held aloft, should have warned her that they would be only too easily insulted, put out of joint. They’d been born with solid silver dummies in their mouths. Others who actually earned their fortune (or even obtained it through a freak of fortune itself), were inevitably side-lined, humoured and merely tolerated. Nadine must have known that wedding an East European would result in worse than just rustication.

She opened her eyes again to the garden. The sun was now higher, the washing even less energetic. The shadows of the trees threw mottled patches of sunlight across the lawn and, actually, there was now some noticeable heat from the irititic eye in the sky. Dognahnyi, her one time beau and name-giver, had been dead now almost a year. In fact, tomorrow would be the anniversary, the Death Day, when it would be more appropriate to think of her widower. Incredibly (though she believed it), his face had dispersed into the past (like faces of old school friends never seen again since childhood). Surely one year could not efface the memory of a loved one.

A voice erupted from the house at the other end of the garden. It was her daughter arguing, shouting, making a nuisance of herself. Nadine was often the butt of such traumas, but today she’d consigned Berry to the care of the ghosts. That reminded her of why indeed refuge in the garden this early Sunday morning had been so urgent. The ghosts once arrived in the house had tried to appear playful, fatter than their cousins on the washing line, more jolly and rubicund, ready to lend comfort. . . Nadine had relished their coming, apt as it had been on the tail of her late husband’s departure. She needed company (and with Berry to rear), as many hands as possible were welcome at the pumps. They moved about the large house, gathering the dust to give them shape, shaking the mops out of the windows like heads, chatting of this and that much like unto the socialese of the Ladies Group. Then, things turned sour. Nadine blamed Berry, the teenage wildfire, for taunting them with her tantrums trawled from childhood. The ghosts should hvae been humoured, not blooded with petty squabbles; given a basis for existence out of the pride granted by gentle communion with real pepple, not foisted off with the frailties and fragilities of human misunderstandings. But how could you really blame Berry? She missed a father far more than Nadine missed a husband.

The last straw was snatched from the pigpen of the previous week. All had gone wrong. Nadine had lost all contact with her own daydreams. The Ladies Group had disbanded, she’d heard, just on the strength of a whim. (She’d known the whole affair was as capricious as Christmas snow but, nevertheless, the shock of never now being accepted back into the flock [at least she’d treasured a crumb of hope by the mere continuance of its existence] was a blow that made sitting in the garden at all hours of the day or night no eccentricity, compared to those that now faced her during the rest of her body’s old age.) Berry had lost her best friend at school, either by death or argument Nadine was unsure, for the tale was garbled, but the tears real. Berry even went so far as to turn on the ghosts and accuse them of being mere figments of her mother’s imagination. Nadine watched them slouch off like sagging barrage balloons into their respective corners of the back parlour, knowing that they were slowly filling with water, dragging them down towards the floor where the carpet did not reach the skirting-board. Berry sulked off, too, skulked off, with them, and as if by being their enemy, she’d grown more like them.

Since then, the ghosts had adopted the more traditional role of the prankster poltergeist, with seasonings of evil to soup them up.

The sun had by now crystallised out, the bird squawks more insistent, the washing-line ghosts dead in their own clothes. Nadine wondered if Berry was safe alone with the house ghosts. She did not really care. One them might be Dognahnyi himself, returned to claim his birthright within his daughter’s memories. Surely, if so, he would not allow her to be harmed nor even tranced. Or perhaps he wanted her to die away from Nadine to bring her closer to him?

Eventually, the strange, mysterious sounds that had opened the curtains upon Nadine’s revery did become nothing but the noise they had always threatened to become from the outset. All turned ordinary again. The house, at the far end of the garden, had by now gradually grown quiet again. At least, temporarily. None of it mattered, she realised. Being woken from her daydreams by the renewed ordinariness of everything around her, Nadine remembered that Berry had been slaughtered in the same road accident as her father (but in different cars). Berry could never die again, for she was already one of the ghosts. So, Nadine sighed with relief. The police suspected sabotage on one of the cars, but nothing was ever proved.

Nadine ambled into the house to see how the roast was getting on in the oven. With her bird’s appetite, there’d be plenty left over as tomorrow’s cold meat for Death Day.


(published 'Nutshell' 1989)

 


Posted by weirdtongue at 7:23 AM EDT
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A new prose poem by DF Lewis

A new prose poem by DF Lewis

posted Saturday, 2 May 2009

 

 

 

Written today:

Particularly pleased about this one and can be read at link below:

CELLIANO

 

Other 2009 new fiction by DFL HERE.

 

===================

 




1. Weirdmonger left...
Sunday, 3 May 2009 8:02 pm :: http://www.ligotti.net/local_links.php?a

'Celllano' is read aloud at link immediately above.



Posted by weirdtongue at 5:54 AM EDT
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Friday, 13 August 2010
Self-Image?

Self-image?

posted Thursday, 12 February 2009

 

 

 avatar

 

I don't know any intentionality behind this wonderful painting, but I feel it is a sort of puppet of me.
But directly one talks of a 'me' one becomes pretentious.

 

Jan Matejko - Polish painter
1838-93

Stanczyk (1862):-

 The Credit Crunch - recession or depression?


Posted by weirdtongue at 7:35 AM EDT
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Rhetorical Question

Rhetorical Question

posted Wednesday, 4 February 2009

 

A friend of mine has asked this rhetorical question: 
Which below explain(s) why your fiction material no longer readily finds print outlets:

(a) it is simply no good or

(b) most of it (past & present) is already available on-line or

(c) it is an acquired taste that falls between too many stools of style/genre or

(d) your behaviour on the internet is off-putting or

(e) you haven't specifically submitted anything (off your own bat) to publishers since 1999. 


 

 




1. Weirdmonger left...
Sunday, 8 February 2009 7:38 pm

Derivatives

After some heavy drinking, I fall easily into a sleep so deep that I remain unconscious of my dreams. To know you are dreaming when (on the face of it) you are not dreaming is inextricable from knowing that any period of sleep is a Variant Senility Disease (VSD) affecting us all, even when we are new-born babies or 'foetuses and beyond'.

A single period of otherwise broken sleep – broken, for example, by prior over-indulgence – often allows you to glimpse the true nature of one’s condition from the vantage point of an observer who is independent of you, but an observer suffering from your VSD. So, after a day obsessively reading about the global banking crisis, I spend hours drowning my sorrows followed by an imperceptible slippage into further hours (in hindsight) watching abstractions that focus in and out of existence like the sporadically poor reception of a digital TV signal. The monstrous margins between each abstraction appear to be constructed from complex financial instruments of leverage and derivative in the form of spiky vegetation disguised as a hybrid of man-made barbed-wire and natural undergrowth.

My memory of all this – a memory equally as complex in nature as the derivatives themselves – also contains dream images that keep joining and unjoining as they continue even into the very ‘forgetting processes’ that often follow full waking ... beyond the reach of any further breaking and mending that can be mistaken as waking ... accompanied not by the normal thumping headache eating you from within but by the prickly crown-of-thorns eating you from without.



Posted by weirdtongue at 7:32 AM EDT
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Monday, 9 August 2010
Hamsita

Hamsita

posted Tuesday, 6 July 2004

The dining-room, unsteadily illuminated by the demure candleflames in which pretty Hamsita took such daredevil delight, was quieter this evening because one of the usual partakers around the long glistening oval table had been put to rest that very morning.… after a long illness, true, but one that had not prevented the deceased from dining with the others until the very end. So, the movement of the carriage clock had it all its own way, deepening the silence by punctuating it.

Around the table tonight, there were still the same number of places laid. Two ancient dowager ladies, whose sister’s funeral they had all attended today, spooned their soup with only the slightest of tinkles. Father and mother sat at each end of the oval, both formally dressed for dinner, as had been their wont the length of their marriage. His heavy moustache showed signs of soup droplets flickering in the light. Her floral choker moved in and out with the neck muscles - her large brooch of a golden eagle looking more like an exotic insect in the rarefied glow. Hamsita sat opposite the two dowagers. She was at that awkward age when she was too old to be put to bed early after a nursery supper alone with her Nanny (who was still an inhabitant of the house) but, equally, too young to have a full-bodied frock or the attention of the others towards her attempts at sophisticated conversation. She, too, ate quietly, realising that, of all meals, this was the one where she was to be best behaved. Eating not only quietly, but uncharacteristically slowly. She almost felt herself to be a lady for the very first time - her face seemed a source of light greater than the candles. Nobody noticed her “coming-out”, not even Hamsita’s mother, for she was caught up in her own ditherings, picking at her food in the same way as her conscience.

With the scene set, there is nothing much to add. Photographs are like that, albeit this one owning an uncanny element of slow motion. No sound effects, other than perhaps a hint of a knock at the dining-room door. The two dowagers would perk up, eyes bowling...believing this to be their late sister returned from the dead. (But Hamsita knew, in her own mind, that it was the aged Nanny come for her scraps).


Published ‘Working Titles’ 1989

 




1. Paul Dracon left...
Tuesday, 2 August 2005 5:01 pm

"Nobody noticed her “coming-out”, not even Hamsita’s mother, for she was caught up in her own ditherings, picking at her food in the same way as her conscience."

This one was interesting. (Well, they're all interesting; but this one was fairly subtle-- I had to read to twice to really get a grip on it.)

To a fickle person, a conscience really is something that you pick at, the same way you'd pick at a boring meal.

I love the characters of this story; half-dead crusties who are so stuffed full of sameness that they aren't entirely sure who just died-- unless it was one of them; and the rising young woman who's unfortunate enough to have to live with them.

Very thought-provoking. (Unless, of course, I've completely misread the story!)



Posted by weirdtongue at 1:22 PM EDT
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Sunday, 31 January 2010
CERN Zoo
'The Virtual Revolution' on BBC2 TV last night says World Wide Web (WWW) was invented in CERN. Seems therefore a good name for the Internet: CERN Zoo?

http://weirdmonger.blog-city.com/the_cern_zoo_page.htm

Posted by weirdtongue at 1:56 PM EST
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Friday, 4 September 2009
Extended Play (1)
Extended Play

I’m starting another of my real-time reviews. This time it is ‘Extended Play - The Elastic Book of Music’ (Elastic Press 2006) edited by Gary Couzens. As ever, I shall attempt to draw out all the stories' leitmotifs and mould them into a gestalt.

The book seems just begging for this sort of treatment, because I (as Nemonymous editor/publisher) understand the stories were initially chosen blind-anonymously by the editor.

The stories and interludes, as I understand it before reading this book, are written by Jean-Jacques Burnel, Marion Arnott, Gary Lightbody, Andrew Humphrey, Sean 'Grasshopper' Mackowiak, Becky Done, Rebekah Delgado, Nels Stanley, Iain Ross, Tim Nickels, Lene Lovich, Emma Lee, Tall Poppies, Tony Richards, jof owen, Rosanne Rabinowitz, Chris T-T, Philip Raines and Harvey Welles, Chris Stein.

As I understand it, all stories were to be music-based but otherwise written separately by the various authors in the normal independent way. Consequently, I say, there should be no connection between these stories unless it is by the purely serendipitous strength of 'The Synchronised Shards of Random Truth and Fiction' or, to coin a new phrase from that old one of mine, 'The Random Shards of Synchronised Truth and Fiction'! (DFL)

This review will be written here ... slowly, savouringly, in real time, so please do not look back more than once every few days (even weeks) for additions. 

All my real-time reviews are linked from here: http://weirdmonger.blog-city.com/recent_reviews_of_books_by_dfl.htm.

 

I shall be merely making a short quote from each of the 'Interludes' and reviewing the stories in detail.

Interlude One: Intro - Jean-Jacques Burnel

"Songs and music have often been inspired by literature and here, within these pages, the literature is conversely inspired by songs and music." (3 Sep 09)

 

The Little Drummer Boy - Marion Arnott

"It was as if without his anger Dad was no one."

This is a very powerful story of a boy whose 'sideways' moments lead to animalistic retributions against the dysfunction this his violent Dad and chain-smoking Mum and others have induced in him.  Musically, it is the most basic; the rhythm of blood's drum beat.  Without exaggeration, this story is truly a classic, one that will live you forever.  Much telling detail of boyhood in, I guess, modern England.  Here lycanthropy and its ilk are more than just the product or possession of role-play.  The devil's not in the detail. It's out of the body in the open. And I am the devil's advocate. As Sandy Nelson once said: 'Let There Be Drums'. (3 Sep 09 - three hours later)

This first story presents possession as the ultimate or optimum karaoke, tuning drumbeat with drumbeat, on full song, on a (drum)roll...
(4 Sep 09)

 

 

 

Interlude Two: Sexual Heaney - Gary Lightbody

"...as green as spring [...] I was writing thunder and dirge up from the basement..." (4 Sep 09 - three hours later)



 

 

Last Song - Andrew Humphrey

"Cal played in a band for a while [...] This was in the mid-nineties when Oasis and Blur were cool.."

This story is quite long with a style that flows like silk.  An old-fashioned, almost 'Romance novel', style that I don't normally enjoy, but here it works limpidly as well as insidiously with things that turn out to be even darker when compared with darkness's light expression: telling of narrator musician Josh and his self-diminishng rivalry with his elder brother Cal and his detached posh parents and music performer Lucy whom he and Cal meet in the present day (not the mid-nineties) at a gig in a club which one can imagine featured in a Joel Lane novel. The sense of the music is conveyed with a sure brushstroke. The characters are shown to have tantalisingly semi-fathomable pasts while their present moments are recorded by Lucy in exercise books in the form of all her verbatim conversations.  But can any fount of information be trusted implicitly, especially as to who darkens doors the most?  A sense of being filmed and recorded for posterity as touched upon, even eaten into by exegesis and cut-up. Brilliant stuff. [In 'Little Drummer Boy', the animals are possessed temporarily; here, it is one stage further, where the end result is cruelly enforced non-existence.]

"After a moment Cal says, 'She says it's all recorded anyway.' / 'What?' / 'Everything we say.' / 'You mean, Big Brother...'" (4 Sep 09 - another five hours later)



Interlude Three: Etcetera, Etcetera... - Sean "Grasshopper" Mackowiack

"In other words, we would like to celebrate that there is a congeniality of feelings that are present in the audience as well as the performer; an invisible connection." (4 Sep 09 - another hour later).

 

 

Tremolando - Becky Done

"Tamsin found Stravinsky to be useful in most situations."

Well, for me, this substantial story has everything going for it. Well-written, of course. A compulsive, well-characterised plot. And it is centred upon my passion: Classical Music (with many nifty prose 'movement' sub-titles from that field) - with believable references to the twists and turns of tractable Elgar, Britten, Debussy, Haydn, Mozart, etcetera, etcetera...  And, for once, a major character (Joseph) who is of the same age group as me! :)

The story centres on a String Quartet group called 'Viol' (two young women, a young man and Joseph) who regularly meet and play in Joseph's home. There are many cross-currents, initial congeniality of connection, then rearing sex, later mysterious or blameworthy pasts, drugs and, apparently, madness of sorts, and connections that are invisible to the reader except, possibly, until when the reader reaches the story's end.

I enjoyed it immensely but perhaps I didn't really understand the ending or the ending is fraught with implications too subtle for me or it is simply as over-melodramatic as I suspect it may be... Yet, when one thinks about it, Chamber Music (such as a String Quartet) is deceptively stylised and subtle but, intrinsically, as one begins to live with the music time and time again -- even with, say, Haydn, let alone with, say, Penderecki -- it starts brimming with passion and mystery towards a true ending of stridency-by-sensibility via an invisible connection between audience and performer if not via the actual up-front 'noise' of the music itself.  Given me plenty to think about. Bravo! 

"He's almost thirty years older than her. The thought of it was vile." (4 Sep 09 - another three hours later)

TO BE CONTINUED

Posted by weirdtongue at 2:55 PM EDT
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Sunday, 7 June 2009
secret wheel 12
Secret Wheel (12)

 

http://weirdmonger.blogdrive.com/archive/5.html - Raw Air

http://weirdmonger.blogdrive.com/archive/9.html - Sinkhead

http://weirdmonger.blogdrive.com/archive/11.html - Lost Title

http://weirdmonger.blogdrive.com/archive/13.html - Etepsed Egnis

http://weirdmonger.blogdrive.com/archive/15.html - Imago

http://weirdmonger.blogdrive.com/archive/17.html - Metal Fatigue

http://weirdmonger.blogdrive.com/archive/19.html - Dear Rubberjock

http://weirdmonger.blogdrive.com/archive/22.html - Madge

http://weirdmonger.blogdrive.com/archive/24.html - Title! Title!

http://weirdmonger.blogdrive.com/archive/26.html - Don’t Give Your Heart To The Balloon-Mender

http://weirdmonger.blogdrive.com/archive/28.html - Goose & Gander

http://weirdmonger.blogdrive.com/archive/30.html - Bald Steel & Fish-Bone Alloys

http://weirdmonger.blogdrive.com/archive/32.html - The Piano-Player Has No Fingers No. 2

http://weirdmonger.blogdrive.com/archive/34.html - Body Gloves and Crossbones

http://weirdmonger.blogdrive.com/archive/36.html - The House And The Brain

http://weirdmonger.blogdrive.com/archive/38.html - The Walls of Time

http://weirdmonger.blogdrive.com/archive/41.html - Towards a Gilded Pond-Life

http://weirdmonger.blogdrive.com/archive/44.html - Fact & Fanglement

http://weirdmonger.blogdrive.com/archive/46.html - Cold Air

http://weirdmonger.blogdrive.com/archive/48.html - Excoriation of the Blight

http://weirdmonger.blogdrive.com/archive/50.html - Nomicos Inge

http://weirdmonger.blogdrive.com/archive/52.html - The Meaning of the Mind

http://weirdmonger.blogdrive.com/archive/54.html - Muse of Murder

http://weirdmonger.blogdrive.com/archive/56.html - Entries

http://weirdmonger.blogdrive.com/archive/58.html - Jack Jumberlack

http://weirdmonger.blogdrive.com/archive/59.html - Items of Faith

http://weirdmonger.blogdrive.com/archive/60.html - All Lean & No Fat

http://weirdmonger.blogdrive.com/archive/61.html - Dear Matilda

http://weirdmonger.blogdrive.com/archive/62.html - Wasted Meals (with T Lebbon)

http://weirdmonger.blogdrive.com/archive/63.html - No Free Lunch

http://weirdmonger.blogdrive.com/archive/64.html - Dear Albert

http://weirdmonger.blogdrive.com/archive/65.html - Longland Jones

http://weirdmonger.blogdrive.com/archive/66.html - Days of a Dead Disney

http://weirdmonger.blogdrive.com/archive/67.html - Gargling with Swordfish

http://weirdmonger.blogdrive.com/archive/68.html - Even If Blood Were Fantasy, Vampires Would Still Sniff At It

http://weirdmonger.blogdrive.com/archive/69.html - Backenders

http://weirdmonger.blogdrive.com/archive/70.html - A Man Too Mean To Be Me

http://weirdmonger.blogdrive.com/archive/71.html - Young Blood

http://weirdmonger.blogdrive.com/archive/72.html - Tiff

http://weirdmonger.blogdrive.com/archive/73.html - A Love Trove

http://weirdmonger.blogdrive.com/archive/74.html - In The Searing Searchlight

http://weirdmonger.blogdrive.com/archive/75.html - Disaffected Blood

http://weirdmonger.blogdrive.com/archive/76.html - Inky Stories

http://weirdmonger.blogdrive.com/archive/77.html - The Long-Titted Tale

http://weirdmonger.blogdrive.com/archive/78.html - Beyond The CotDeath

http://weirdmonger.blogdrive.com/archive/79.html - The Vulgar General

http://weirdmonger.blogdrive.com/archive/80.html - Red Nose Day

http://weirdmonger.blogdrive.com/archive/81.html - Night Out

http://weirdmonger.blogdrive.com/archive/82.html - Silver Lining

http://weirdmonger.blogdrive.com/archive/83.html - The Beard on the Bus

http://weirdmonger.blogdrive.com/archive/84.html - Beyond The Hell Of Sleep

http://weirdmonger.blogdrive.com/archive/85.html - Write About The Countryside

http://weirdmonger.blogdrive.com/archive/86.html - Red Tape

http://weirdmonger.blogdrive.com/archive/87.html - Cloysters (Smarts)

http://weirdmonger.blogdrive.com/archive/142.html - Flossie Fraser

http://weirdmonger.blogdrive.com/archive/143.html - A Happy Death

http://weirdmonger.blogdrive.com/archive/144.html - Save The World

http://weirdmonger.blogdrive.com/archive/145.html - Paul

http://weirdmonger.blogdrive.com/archive/146.html - The Humourless King

http://weirdmonger.blogdrive.com/archive/147.html - Les Mains Sales

http://weirdmonger.blogdrive.com/archive/148.html - Loose Ends

http://weirdmonger.blogdrive.com/archive/149.html - What’s In A Name

http://weirdmonger.blogdrive.com/archive/150.html - When I Was An Old Man

http://weirdmonger.blogdrive.com/archive/151.html - Lost Child

http://weirdmonger.blogdrive.com/archive/177.html - The Folly

http://weirdmonger.blogdrive.com/archive/178.html - The Sirocco-Scarred City


Posted by weirdtongue at 5:34 AM EDT
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secret wheel 9
Secret Wheel (9)

MORE PREVIOUSLY PRINT-PUBLISHED STORIES POSTED ON THE WEIRDMONGER WHEEL IN 2008 FOR THE FIRST TIME:

 

Stumps (Daarke World 1993)

with new information about 'Digory Smalls'!

http://weirdmonger.blog-city.com/stumps.htm

A Word's Worth (New Hope International 1993)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=136537694&blogID=391134656&Mytoken=3BB29018-4AE3-46C5-AEA2EAAC0149FE0B31306849

 

Skin Deep (Atsatrohn 1993)

http://elizabethbowen.fortunecity.com/blog/entry66.html

The Ghoul (Black Lotus 1993)

http://weirdmonger.blogspot.com/2008/02/ghoul.html

As Above, So Below (Black Lotus 1993)

http://simplon.blogspirit.com/archive/2008/02/02/as-above-so-below.html

The Ox-Boy and the Riddler (Black Lotus 1993)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=354014518&Mytoken=D45AFB09-15DB-4EAF-9BD270D404ADFF2A32478535

Painting With Water (Noir Stories 1993)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=136537694&blogID=354346606&Mytoken=306CBA35-8A46-4C82-886819313F6EA51D35694610

My Angel Eyes (Eulogy 1994)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=145421249&blogID=354350621&Mytoken=8D13430E-70CF-475C-8EEBAC8B3950DD5B154619576

Dylan Thomas... (Purple Patch 1994)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=138197636&blogID=354355506&Mytoken=C90EDEF5-71BE-4FF2-A5D8237EC3F573AA155827349

The Night of the Lovelies (Deathrealm 1994)

http://weirdmonger.blogdrive.com/archive/263.html

Living on the Corner (Grotesque 1994)

http://elizabethbowen.fortunecity.com/blog/entry67.html

Daub of the Devil (Gathering Darkness 1994)

http://simplon.blogspirit.com/archive/2008/02/06/daub-of-the-devil.html

In The First Place; Towards The Final Echo (Purple Patch 1994)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=145421249&blogID=355282505&Mytoken=1A8B8673-0CB6-46ED-B0AF4C09B3BFF5D754070962

The Family (Masque 1994)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=138197636&blogID=391133776&Mytoken=CFD8F2C3-9BF6-4604-A4F95DC3A35B63DF31193663

A Frog In Aspic (Parlour Papers 1994)

Previously posted as 'Gestalt' but now corrected.

http://weirdmonger.blogdrive.com/archive/214.html

Belated Moments (Butterfly & Bloomers!! 1996)

http://weirdmonger.blogspot.com/2008/02/belated-moments.html

The Eyes of Time (Ocular 1994)

http://weirdmonger.mindsay.com/the_eyes_of_time.mws

Nurtured by Night (Stuff 1994)

http://weirdmonger.blogdrive.com/archive/264.html

Love & Stitches (Psychtrope 1994)

http://elizabethbowen.fortunecity.com/blog/entry68.html

Dear Suzanne (Xizquil 1994)

https://weirdtongue.tripod.com/blog/index.blog/1791485/dear-suzanne/

Dark Chintz (Dreams from a Stranger's Cafe 1994)

http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=80029030&blogID=360953843&Mytoken=12C7F2A8-08F0-49F6-A31053AB9968843630005694

Hindsight (The Equinox 1994)

https://weirdtongue.tripod.com/weirdtongue/index.blog/1791545/hindsight/

The Presence (Nox 1994)

http://simplon.blogspirit.com/archive/2008/02/24/the-presence.html

The Benevolence of Fate (The Banshee 1994)

http://wordonymous.tripod.com/blog/index.blog/1791612/the-benevolence-of-fate/

Jammed (Onyx 1994)

http://augusthog.tripod.com/blog/index.blog/1791801/jammed/

Too Much Love (Terrible Work 1994)

http://elizabethbowen.fortunecity.com/blog/entry79.html

Mygold (Queen of the Mists 1994)

http://weirdmonger.blogspot.com/2008/03/mygold.html

MORE STORIES IN THIS CATEGORY CONTINUED HERE:

http://weirdmonger.livejournal.com/76022.html

================================================

ORIGINAL SECRET WHEEL (9):-

 

https://weirdtongue.tripod.com/weirdtongue/index.blog/1784597/misanthropyonthenaze/

Misanthropy-on-the-Naze (revised version)

 

 

http://weirdmonger.blogdrive.com/archive/247.html: A Map of Memories

 

 

http://weirdmonger.livejournal.com/2004/09/01/ - The Fat Bat  http://weirdmonger.livejournal.com/2004/09/02/ - Remission  http://weirdmonger.livejournal.com/2004/09/03/ - Pity The Mother  http://weirdmonger.livejournal.com/2004/09/04/ - Tungus  http://weirdmonger.livejournal.com/2004/09/06/ - The Silver Saraband  http://weirdmonger.livejournal.com/2004/09/08/ - Don't Drown The Man Who Taught You To Swim  http://weirdmonger.livejournal.com/2004/09/11/ - A Skip For Heroines  http://weirdmonger.livejournal.com/2004/09/16/ - Where There's A Will  http://weirdmonger.livejournal.com/2004/09/24/ - Written In A Country Graveyard  http://weirdmonger.livejournal.com/2004/09/30/ - Orphans Of The Tides  http://weirdmonger.livejournal.com/2004/10/07/ - Blood Noodle  http://weirdmonger.livejournal.com/2004/10/17/ - Homesick  http://weirdmonger.livejournal.com/2004/10/28/ - The Untold Tale Of The Heart  http://weirdmonger.livejournal.com/2004/11/04/ - X Certificate  http://weirdmonger.livejournal.com/2004/11/16/ - Tongue Tied  http://weirdmonger.livejournal.com/2004/11/25/ - Man Of Bone & Fame  http://weirdmonger.livejournal.com/2004/12/08/ - Versa Vice  http://weirdmonger.livejournal.com/2004/12/18/ - Sentenced To Prosaic Prostitution  http://weirdmonger.livejournal.com/2005/01/01/ - She'll Be Waiting For Me  http://weirdmonger.livejournal.com/2005/01/20/ - The Coming Of The Cord  http://weirdmonger.livejournal.com/2005/01/29/ - Alum Chine  http://weirdmonger.livejournal.com/2005/02/07/ - Untethered Night  http://weirdmonger.livejournal.com/2005/02/17/ - Film Noir  http://weirdmonger.livejournal.com/2005/03/02/ - Miscreant In Moonstream  http://weirdmonger.livejournal.com/2005/03/12/ - Slight Ghost In The Night Hutch  http://weirdmonger.livejournal.com/2005/03/24/ - If Only In A Dream  http://weirdmonger.livejournal.com/2005/04/02/ - World Recession  http://weirdmonger.livejournal.com/2005/04/11/ - Beyond Words  http://weirdmonger.livejournal.com/2005/04/20/ - Swan & Sugarloaf  http://weirdmonger.livejournal.com/2005/04/25/ - Squalid Fingers  http://weirdmonger.livejournal.com/2005/05/09/ - Stark  http://weirdmonger.livejournal.com/2005/05/19/ - Hoopfish  http://weirdmonger.livejournal.com/2005/05/31/ - Any Developments?  http://weirdmonger.livejournal.com/2005/06/11/ - Balloon  http://weirdmonger.livejournal.com/2005/06/27/ - Virtual Reality  http://weirdmonger.livejournal.com/2005/07/09/ - The Weirdmonger (Missing Bit)  http://weirdmonger.livejournal.com/2005/07/31/ - Attic Seas  http://weirdmonger.livejournal.com/2005/08/12/ - Beyond The Comfort Zone  

http://weirdmonger.livejournal.com/2005/08/23/ - I Consume That Of The Edge Of Exquisite Taste

  

http://weirdmonger.livejournal.com/2005/09/06/ - It's A Funny Line

  

http://weirdmonger.livejournal.com/2005/09/19/ - Cloysters (Rook)

  

http://weirdmonger.livejournal.com/2005/10/02/ - A Dark Tale Of Gods

  

http://weirdmonger.livejournal.com/2005/11/03/ - Network 8.5

 

Posted by weirdtongue at 5:32 AM EDT
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Sunday, 31 May 2009
Weirdmonger Review Pt 3

CONTINUED FROM HERE.

 

Gongoozler (1993)

"I often enjoyed usherettes showing me to my seat by torchlight – often better than the film itself."

A gongoozler is a loiterer at canal-lock gates idly watching canal-boats and their crew work the locks.  Here we have a gongoozler (as narrator) who is handsomely (and weirdly) rewarded for some unsolicited help he gave a while ago to one particular canal-boat at the locks.  This is a relatively substantial story that seems to reverse the usual interactions of ‘stranger’ and ‘danger’ – combined with salacious disguises and endangered manhood à-la-Zola.  The story is captivating, yet slightly reprehensible, to my 2009 eyes. I recall a whole week was spent writing it piecemeal while on a canal-boat holiday.  Another “someone subsumed by self-harming upon discovering the nature of one’s identity as narrator”?

“There was also a crackly sweet sound, like children surreptitiously feasting past midnight. It continued until I eventually fell asleep. My dreams had the sound of cricket balls hitting willow bats into the morning.” (25 May 09 - another 2 hours later)

The Hungerers (2000)

I think I’ve understood this story for the first time today, upon re-reading it.  A flash fiction whereby a harlot (that arrives via the chimney) is poisoned by a kiss (does she die and get stuck when back in the chimney-flue after the story finished?) -- a kiss from her shy innocent customer who once as a boy had his body poisoned (as well as his mind) by a Grandmother who loved him so much that this was the way to protect him from what she must have perceived as Great Old Ones disguised as harlots – creatures who, now, when seen in the cold light of day, distant from the banked coal-fire, are simply doing what is asked of them. Narrator (the harlot) and her customer in poignant negative-symbiosis.  And if that is a series of spoilers, well, the story certainly needed being spoilt. 

“‘I like live fires,’ he said. ‘When I was a child, I thought each flame had a story to tell. Only later did I realise that a single flame is never the same entity from one moment to the next.’” (25 May 09 - another hour later).

The II King (1998)

“‘Well, it’s written down in a book, so it must be true.’ / ‘What book? This one?’ I pointed to the one he simultaneously pointed at: ‘Miscreant In Moonstream.’ / ‘By Rachel Mildeyes,’ the local proudly stated, as if that capped everything.”

One of those patchwork quilt DFL stories where any connecting thread, if discerned at all, is the audit trail of plot, with the rest being dream images or automatic-writing of the ‘synchronised shards of random truth & fiction’ school of literature!  Deep intake of ironic breath.  Actually, this is possibly one of the best examples of this school, telling of the II King’s jester who himself tells of matters concerning the II King from within the II King’s own dream.  The otherwise sloppy plot luckily has an iron hardware spine – as well as an iron codpiece!  SPOILER: The ‘II’ is a dream’s stutter for ‘I’.  Or a migraine effect.

“I decided I would not buy Black Haven, after all, at any price and left them to lock up. After all, I had no money in someone else’s dream.” (25 May 09 - another 3 hours later)

In Unison (1995)

 What is the most horrific thing a horror writer can imagine?  Being paralysed and suffering a complete shut-down of all your senses except thought.  Alone in darkness with nothing but the dark fantasies you created during your life.

 

But who empathises with whom?  This whole book here looks inward.  Each story in unison with the other.  Author out of step.

 

Meanwhile, in the plot of one of these very dark fantasies (i.e. this one), two women still vie for his attentions! 

“If it were not for the stories, he’d be dead. This one about becoming a leaky vegetable was the last and the best. But never to be written. Nobody would ever read it. A dreadful shame.” (25 May 09 - another 2 hours later)

The Jack-in-the-Box (1991) 

‘Colin’s Sandwich’ was a British TV situation comedy in the late eighties about a horror writer (starring (Mel Smith). It made fun of horror writers. The story’s protagonist Tim (in pre-Tim Lebbon days) is fed up with the ridicule!  Interspersing a fantasy life engendered by vision of his real wife and a Dickensian shop with Ligottian knick-knacks, we have a genuinely original and disturbing story.  Another that asks the question: who empathises with whom?  Another tripartite war, this time between author and narrator and something else that is neither-or-both. And the story has one of the most frightening last lines of any story (in the context).  It could have been done better, though. It seems to me that DFL then (and still?) often misses his chance through hurry or a desire to finish writing many of his stories in one sitting (or so it seems by a cold judgement of the stories themselves).

"He believed the general public needed to be scared stiff, their bodies jolted out of their skins and brains eased from their skulls like shellfish, so that, eventually, they might be able to forget the real evil within themselves already." (26 May 09)

. 

The Last Prize (1994)

This story was first published in 1994, but written a number of years before that when I lived in Coulsdon near London. It is a nostalgic story about a seaside resort and its pleasure pier (a place where I was brought up as a small child) but it was a story written during a long period of living inland, so was not affected, I guess, by the immediate vicinity of the seaside and its accoutrements. I have since returned to live near that seaside resort and it is a strange war between memory and idealization and a new hindsight that I now watch take place in this story.  It tells of a boy and a girl, their dreams when standing at the end of the pier, childishly inventing what is beyond the sea’s horizon, its thickening by rigs into new lands? – and fairy-creatures? It also tells of a new-born romance followed by the loss of innocence. And the encroachment by modernity and self-realised entropy. To my now eyes, the story is exquisite. But am I here steeped in intentionality...?  Unsurprisingly, perhaps, this experimental reviewing of ‘Weirdmonger’ as a whole seems to tempt me into sinning against what I have long believed literary criticism to be!

"The sea soared and sucked beneath the old pier, licking like grey fire the thick oaken stilts upon which its planking stretched for a good mile. On occasions, the wind whipped up its own vortices, like ghostly dervishes, around the under-hulks of this man-made shipwreck - raising the fury of the sea in gobs of giant's spit between the gaps in the boardwalk." 

 

I seem to be reviewing the stories quicker than I anticipated. I am already a third of the way through the book.  But who knows if the future will ‘thicken’ like the a diluted sea-into-land, a sluggishness of purpose as I head towards what I have considered in blurred hindsight to be a few stories unworthy of inclusion in this book, even unworthy of my name (eg: Shades of Emptiness,  Salustrade,  Todger’s Town, Tom Rose, Weirdmonger, The Stories of Murkales, Tentacles Across The Atlantic ... coincidence that their titles are later in the alphabet?). (26 May 09 - 2 hours later)

'WEIRDMONGER' REAL-TIME REVIEW CONTINUED HERE.

CONTINUED FROM HERE.


The Merest Tilt
(1994)
Well, a real gem of showgirls and froths and frills and creamy realities that the narrator fashions from a selective use of his own diary written during the events of the story. This pencilled diary needed a merest tilt sometimes for him to be able to read parts he had earlier rubbed out. This seems to fit in with the way I’ve been looking at this whole review! Truths and fictions?
A story with its darker moments, too.
“My companions were surly souls with curt courtesies in the taxi. Humourless asides intended to be funny made me cringe. One was my uncle I think (the diary is unclear). Someone else was there whom I’d once loved but did no longer, somehow. Yet another was silent and shadowy who made me afraid to talk out loud in case I revealed something of myself he wanted to catch. There was also a dwarfish creature, pressed up close to me on the back seat, who kept broaching unwanted topics and expecting us to comment.” (26 May 09 - another 2 hours later)

Migrations of the Heart (1993)
Coincidentally, following alphabetically straight on from the previous story, this one says: “I can only convey things by things I leave out.”
A very brief piece of poignancy about a childless couple haunted by the ghost of childlessness and of their own encroaching old age when decisions (like where to sleep) become arbitrary. Alphabetical by way of its own plot, too, incredibly, in the above light! (26 May 09 - another hour later)

A Mind’s Kidney (1993)
Another quick-change act by what turns out to be (from the point of view of the author) a fast-and-loose I-Narrator as in ‘Angel of the Agony’. Also ‘bed-switch’ repercussions almost in tune with those in the immediately previous alphabetical story! All taking place mid bladder-change during a night in strange lodgings, the room having oversized door-hooks and old-fashioned chintzy decoration. A real ghost that is generated by confused thought. The story of my life!
“Filters can work both ways, I thought, in the tired way my thoughts sometimes made me think.” (26 May 09 - another 2 hours later)

Padgett Weggs (1986)
Archetypal early DFL tale of pub talk, St Paul’s Cathedral, Great Old Ones roosting on London’s roofs, walking heads, brain surgery conducted in a pub lavatory, smuggling ambergris...
Also a clumsy wooden arch constructed over the bed as a second ‘roof’ to keep God out ... or in! [The latter bit was inspired by the novella ‘Agra Aska’ written in 1983.]
This is one helluva crazy author's first published story. It cannot be reviewed. It just is. It needed to exist. Ironically iconic. Cone Zero. A zoo of words that escaped their cages.
Ever since coming to this strange city, he felt that his mind was channelled between two blind alleys – so, although he could indeed think straight, the thoughts themselves were in the dark and ambivalently cobbled together.” (26 May 09 - another 3 hours later)


 

Queuing Behind Crazy People (1997)
A tale of a film that becomes a tale of its queue outside the cinema, with Ligottian buskers entertaining its length. Some queue-members even have to leave the queue because they spend their entrance money on the buskers. Conversations and friendships underpin the queue. A story of craziness even crazier than the story that tells about such craziness. (This book is a meta-book only crazy because it was ever published in the first place.) Coincidentally, following on alphabetically – in a presumably neat queue of stories – from ‘Padgett Weggs’ which tells of a living human head in separate existence, here a queue-member tells of a head being found in a lobster-pot when fished from the sea by the fishermen. A character called Ken King tries to befriend the we-Narrator after the film simply because he recognised ‘us’ from having sat in the same row in the auditorium. The film itself (which fails to feature in the story because too much time was spent describing its audience’s preliminary queue) was, apparently, banned after its first showing – because of one fleetingly brief scene which most of the audience missed as they were snogging. I won’t mention the toy gun. This story is not iconic like ‘Padgett Weggs’, but it is certainly a memorable busker for you queue of readers who want to read the book as long as you can manage to get into it. Some memorable images, but fundamentally firing blanks.
“That night, we believed Ken King would have an itch in his brain. / A terrible itch. / Such an itch, if it were at a point on one's back which could not be reached without a degree of bodily contortion, was bad enough. But an itch in the brain--well, Ken King pawed at his ear, trying to dig in as far as he could go. The itch became so unbearable, he prodded his eye, until it wept blood. Then thrust fingers up his nostrils. If he had been able to do so, he would have peeled back his face with a rip-roaring wrench, simply to uncover a route to the bone basin of the lobster brain. And scratch it to his own delight. His last resort, of course, was to detach the head in its entirety, with the neck-flashings removed. / Thoughts themselves were itches he could not remove, whatever method adopted.”
(26 May 09 - another 3 hours later)

 

Rosewolf (1992)
“You obviously know I have been keeping these pages for, it seems, centuries now, and I do have the misfortune (sometimes) of dipping into purple prose and, at another point of the literary compass, near-illiteracy.”
I think this is the one story in ‘Weirdmonger’ that more people have told me is their favourite story in it. A ghost story that Elizabeth Bowen might have written – and situated in Innsmouth! A family of oblique children and retainers and many aunts and uncles – excitedly taking a cliff walk (in queue form!) to Innsmouth at which destination one of the Uncles has a miscegenate relationship (with a Deep One?). There is also a renowned description of a specialist fork collection in the family house. Here, in this story, resides the hub of a wheel that is ‘Weirdmonger’ - of dimmer-switch controlled character identities and a Narrator that needs tuning in like an ancient wireless, with the signal coming and going. Sometimes static. DFL was probably the first horror writer to use ‘static’ as a pervading symbol or signal.
“‘Ghosts never use speech marks,’ said Aunt Guide, thus proving she wasn’t one.”
(27 May 09)




'WEIRDMONGER' REAL-TIME REVIEW CONTINUED HERE


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